Space for Imagination
Vision was designed in 1986 by Pierre Mazairac and Karel Boonzaaijer based on the philosophy that a cabinet, as a composition, should be part of the architecture. Partly due to its maximum flexibility of use and extremely modest design, this design was very successful from the outset with the Dutch manufacturer Pastoe. 25 years later, the compositional possibilities remain unlimited: from a three-dimensional relief to a graphic grid of lines and planes, from a series of sideboards to an architectural landscape of volumes. The book Vision – Room for imagination sketches the story of this young classic.
In 2008, Design Flanders is organising the Triennial of Design for the fifth time, a prestigious exhibition in the Royal Museums of Art and History in Brussels, which puts Flemish design in the limelight on the basis of a chosen theme.
Throughout the centuries, silverware has been a source of inspiration for many artists. Religious silverware raised the profession to unprecedented heights, but in the course of the 20th century commissions became scarce. More and more studios had to close their doors and monumental silverwork soon disappeared into the background. Gradually, training also left something to be desired. Father Rob and son Jaap Thalen’s dream is to make the very best again: objects, utensils and works of art in silver such as have been hard to find for a long time. Monumental creations for which both the old craftsmanship and the most advanced techniques are required. Their designs take shape in Francorchamps, Belgium, and are appreciated worldwide.
Unconstrained, poetic and timeless. That is how we can characterise the designs of Jean-François D’Or. The Belgian Designer of the Year 2013 does not put himself in the spotlight with large showpieces, but with his special talent he leaves his own mark on the field of smaller home and interior accessories such as bowls, lamps, vases, coat racks, door handles, mirrors,… Small touches that in all subtlety colour an interior and at the same time very ‘democratic’ design that can seduce a large public.
Contemporary jewellery design is undoubtedly the result of thousands of years of craftsmanship, tradition and research. Contemporary jewellers still use the same precious metals and gemstones as their predecessors, but continue to experiment with techniques, innovate with new materials and create their own unique concepts.