Pablo Atchugarry’s father, also an artist, instilled in him the love for the trade. Not without result: Pablo held his first solo exhibition in Montevideo (Uruguay) when he was only 18. He developed not only as a painter, but also as a celebrated artist with materials such as cement, wood and metal.
The exhibition catalogue Arbre(s)/Tree(s) was published on the occasion of the exhibition of the same name at the Félicien Rops Museum and the Maison de la Culture in Namur. The focus is on the tree in art, from ancient times to the present day.
In Bruegel Revisited, renowned Flemish artists use photography, graphics, installations, video and film to find an answer to the question of what Breugel can mean for the 21st century. The location for this exhibition is the Castle of Bouchout, situated in the National Botanic Garden in Meise.
Participating artists:
Herman Asselberghs, Anne Daems, Building Transmissions & Douglas Park, Vincent Meessen, Hans Op De Beeck, Arno Roncada, Katrien Vermeire, Angelo Vermeulen, Dirk Zoete.
Curator: Prof. Dr. Hilde Van Gelder, Lieven Gevaert Research Centre for Photography and Visual Studies
Jan Cox (1919-1980) was born in The Hague and spent his youth in Amsterdam. Shortly before the Second World War he moved with his parents and brother, composer Harry Cox, to Antwerp and studied art history at Ghent University.
Walter Vilain (°1938) made his debut at the end of the 1950s. Although he was a pupil of Paul Delvaux, he chose the path of lyrical abstraction early on.
Despite some field research, our knowledge of the sacred among the Mumuye is very limited. In all these non-hierarchical groups, which are dichotomous and antinomian in composition, the va-complex predominates, which has a rich semantic meaning, with certain emphases prevailing depending on the circumstances. Religious power resides in sacred objects watched over by the elders.
