Artglas – Artistic Glass Panels
€39.90Artglas, the brainchild of John Dierickx, is a renowned glass studio that sublimates the craft of stained glass making into contemporary design.
Artglas, the brainchild of John Dierickx, is a renowned glass studio that sublimates the craft of stained glass making into contemporary design.
Walter Vilain (°1938) made his debut at the end of the 1950s. Although he was a pupil of Paul Delvaux, he chose the path of lyrical abstraction early on.
Despite some field research, our knowledge of the sacred among the Mumuye is very limited. In all these non-hierarchical groups, which are dichotomous and antinomian in composition, the va-complex predominates, which has a rich semantic meaning, with certain emphases prevailing depending on the circumstances. Religious power resides in sacred objects watched over by the elders.
The exhibition catalogue Arbre(s)/Tree(s) was published on the occasion of the exhibition of the same name at the Félicien Rops Museum and the Maison de la Culture in Namur. The focus is on the tree in art, from ancient times to the present day.
Pablo Atchugarry’s father, also an artist, instilled in him the love for the trade. Not without result: Pablo held his first solo exhibition in Montevideo (Uruguay) when he was only 18. He developed not only as a painter, but also as a celebrated artist with materials such as cement, wood and metal.
For Les (Dés)Habilleuses, photographer Eva Rossie was inspired by gender roles and Laarne Castle. The former inhabitants of the castle are visually explored, room by room, through her own lens of the female gaze. The dresser is the main character. Because of her rather intimate position, she used to hear and see everything. There lies a contradiction within the dresser: she was like a panoptic secret camera, but she found herself in a vulnerable position at the same time. Rossie plays with the disparity between those who cover and reveal, those who see and hear everything, those who are kept small, and those who refuse the confinement of their shackles. Rossie’s characters invite a contemporary view on gender, without losing sight of history, since it is precisely what has been that serves as a starting point in the search for an alternative, contemporary view of what people can be. Presented to you are layered pictures like film stills with a vulnerable edge.
30 x 24 cm
112 p, soft cover
Bilingual edition: Dutch / English