The book offers an overview of the original, innovative and qualitative solutions that the traditional textile sector has to offer today. The numerous designs by designers, artists, companies, laboratories and colleges featured in the exhibition give us an insight into how the extensive possibilities and innovative materials of today’s textile sector are being fully exploited. After all, textiles can be found in numerous applications, ranging from clothing, carpets and curtains to bicycles, cars and even the medical sector. Art, science, technology, design and architecture flow effortlessly into one another, reflecting the dynamism of this sector.
Futurotextiles – published at the end of 2008 on the occasion of the exhibition of the same name – is more than just an exhibition catalogue.
Unconstrained, poetic and timeless. That is how we can characterise the designs of Jean-François D’Or. The Belgian Designer of the Year 2013 does not put himself in the spotlight with large showpieces, but with his special talent he leaves his own mark on the field of smaller home and interior accessories such as bowls, lamps, vases, coat racks, door handles, mirrors,… Small touches that in all subtlety colour an interior and at the same time very ‘democratic’ design that can seduce a large public.
Vision was designed in 1986 by Pierre Mazairac and Karel Boonzaaijer based on the philosophy that a cabinet, as a composition, should be part of the architecture. Partly due to its maximum flexibility of use and extremely modest design, this design was very successful from the outset with the Dutch manufacturer Pastoe. 25 years later, the compositional possibilities remain unlimited: from a three-dimensional relief to a graphic grid of lines and planes, from a series of sideboards to an architectural landscape of volumes. The book Vision – Room for imagination sketches the story of this young classic.
Throughout the centuries, silverware has been a source of inspiration for many artists. Religious silverware raised the profession to unprecedented heights, but in the course of the 20th century commissions became scarce. More and more studios had to close their doors and monumental silverwork soon disappeared into the background. Gradually, training also left something to be desired. Father Rob and son Jaap Thalen’s dream is to make the very best again: objects, utensils and works of art in silver such as have been hard to find for a long time. Monumental creations for which both the old craftsmanship and the most advanced techniques are required. Their designs take shape in Francorchamps, Belgium, and are appreciated worldwide.
Danny Venlet (°1958, Victoria, Australia) is one of the world’s best and most promising designers; yet his work is a well-kept secret in the design world. This is partly due to the fact that Venlet has worked and lived in two different worlds (Australia and Belgium), but is also explained by the essence of his personality and work – modest, prone to understatement, and relaxed.