The strength and stiffness of the fibres, combined with the lightness of plastics or bioplastics, inspires designers to create light, energy-efficient products. At the same time, composite materials allow great freedom of form. Designing with composite materials is situated in a context of social challenges: global warming, ecological impact, sustainability, mobility issues, population ageing, digitalisation. Equally important is how the properties of composite materials form the starting point for utility objects in which high-tech connects with artistic imagination, poetry, contrary beauty, craftsmanship and old and new cultural customs.
Vision was designed in 1986 by Pierre Mazairac and Karel Boonzaaijer based on the philosophy that a cabinet, as a composition, should be part of the architecture. Partly due to its maximum flexibility of use and extremely modest design, this design was very successful from the outset with the Dutch manufacturer Pastoe. 25 years later, the compositional possibilities remain unlimited: from a three-dimensional relief to a graphic grid of lines and planes, from a series of sideboards to an architectural landscape of volumes. The book Vision – Room for imagination sketches the story of this young classic.