Albert Niemeyer has been making his way in the Dutch art world in his own unique way for more than thirty years. Fascinated by the unlimited freedom of expression in the work of Van Gogh, Dalí, Chagall, Picasso and Karel Appel, Niemeyer paints his characters sometimes with a photographic realism, sometimes with an abstract expressionist or with a hint of cubism and futurism.
In Bruegel Revisited, renowned Flemish artists use photography, graphics, installations, video and film to find an answer to the question of what Breugel can mean for the 21st century. The location for this exhibition is the Castle of Bouchout, situated in the National Botanic Garden in Meise.
Herman Asselberghs, Anne Daems, Building Transmissions & Douglas Park, Vincent Meessen, Hans Op De Beeck, Arno Roncada, Katrien Vermeire, Angelo Vermeulen, Dirk Zoete.
Curator: Prof. Dr. Hilde Van Gelder, Lieven Gevaert Research Centre for Photography and Visual Studies
The exhibition catalogue Frontières Invisibles presents the work of more than seventy European artists of about twenty different nationalities. Under the title “Les Frontières Invisibles”, lille3000 is organising several exhibitions at the Tri Postal in Lille, about an ever-changing, elastic, “XXL” Europe, whose borders are shifting more and more to the East.
Aan de hand van een inleidende tekst over leven en werk van de kunstenaar en een selectie van 50 representatieve werken, alle op groot formaat en in kleur gereproduceerd en van een kunsthistorische commentaar voorzien, schetst conservator Norbert Hostyn (MSK Oostende) een boeiend en volledig beeld van de denk- en leefwereld van de nu eens bejubelde, dan weer verguisde James Ensor (1860-1949). Het verhaal van een ophefmakende, controversiële artiest die aanvankelijk school maakt, maar later uitgroeit tot een excentriekeling met vooral veel zin voor pose en ‘commerce’.
Jan Cox (1919-1980) was born in The Hague and spent his youth in Amsterdam. Shortly before the Second World War he moved with his parents and brother, composer Harry Cox, to Antwerp and studied art history at Ghent University.
Japanese floral artist Hiroto Inoue, whose delightful charm and witty nature earned him the nicknamed ‘Funny’ in the floral design universe, excels in creating intricate geometric designs and compositions that often seem to defy gravity. His floral creations pair an incredible sensitivity with impeccable technique and testify of his boundless love of nature as well as his inner gentleness. Hiroto Inoue constructs solid and firm backdrops for his flowers with the thinnest and humblest of materials: slender blades of grasses, orchid roots, slivers of bamboo, strips of wood veneer and especially paper. These fascinating, carefully constructed backgrounds are adorned with few or just one single flower. It results in innovative designs that perfectly balance manmade and natural materials, structure and spontaneity.
33 x 24,5 cm
96 p, hard cover
Bilingual edition: Japanese / English
The ethnographic literature of the 20th century focused mainly on the sculptural traditions of the numerous ethnic groups that populated Southern Nigeria while the more northern areas remained largely terra incognita. In 2013 Jan Strybol published a study on the sculpture of Northern Nigeria. He pointed out that in many parts of this region there are peoples who still had, at least until recently, their own sculptural tradition.