Pia Burrick’s work is not coquettish, but narrative. Stories and images that touch, move and sometimes disturb. It can be divided into applied and free work. Applied, made to order for the interior and to complement existing elements. Creations, mainly stained glass in the traditional technique but with a contemporary design and above all in harmony with the space.
In Bruegel Revisited, renowned Flemish artists use photography, graphics, installations, video and film to find an answer to the question of what Breugel can mean for the 21st century. The location for this exhibition is the Castle of Bouchout, situated in the National Botanic Garden in Meise.
Herman Asselberghs, Anne Daems, Building Transmissions & Douglas Park, Vincent Meessen, Hans Op De Beeck, Arno Roncada, Katrien Vermeire, Angelo Vermeulen, Dirk Zoete.
Curator: Prof. Dr. Hilde Van Gelder, Lieven Gevaert Research Centre for Photography and Visual Studies
Albert Niemeyer has been making his way in the Dutch art world in his own unique way for more than thirty years. Fascinated by the unlimited freedom of expression in the work of Van Gogh, Dalí, Chagall, Picasso and Karel Appel, Niemeyer paints his characters sometimes with a photographic realism, sometimes with an abstract expressionist or with a hint of cubism and futurism.
Twenty-two delicious dishes from the book “Kaiseki Recipes” (or Japanese haute cuisine) are photographed step by step and clearly described. Both the beginner and the seasoned cook will find something to their liking in these gems of Japanese cooking.
Despite some field research, our knowledge of the sacred among the Mumuye is very limited. In all these non-hierarchical groups, which are dichotomous and antinomian in composition, the va-complex predominates, which has a rich semantic meaning, with certain emphases prevailing depending on the circumstances. Religious power resides in sacred objects watched over by the elders.
With TraumA, the Triennial of Bruges dives into the ‘uncanny’ history and reality of Bruges. Historical layers are exposed, forgotten or hidden storylines discussed. This edition explores the thin line between dream and trauma, between paradise and hell. It appeals to the imagination, to the pomp and circumstance, but also to the ‘uncanny’ that is present underground. For although Bruges seems to be a dream destination for many, poverty, loneliness, pollution or fear also lurk in this picture-perfect world.
Triennial Bruges 2021: TraumA uses artistic and architectural interventions to bring the less attractive aspects to the surface and make them part of the city’s image. It creates a polyphonic discourse, where there is room for imagination, beauty, darkness and complexity. A space where artists and architects can explore both the stage and the dusty wings. Triennial Bruges 2021: TraumA balances between the present and the hidden. With a course of sculptural, architectural and organic creations, it is a celebration of the versatility and mobility of this city.
Between private and public.
Between dream and nightmare.
27 x 20 cm
Bilingual edition: English/Dutch