The ethnographic literature of the 20th century focused mainly on the sculptural traditions of the numerous ethnic groups that populated Southern Nigeria while the more northern areas remained largely terra incognita. In 2013 Jan Strybol published a study on the sculpture of Northern Nigeria. He pointed out that in many parts of this region there are peoples who still had, at least until recently, their own sculptural tradition.
In Bruegel Revisited, renowned Flemish artists use photography, graphics, installations, video and film to find an answer to the question of what Breugel can mean for the 21st century. The location for this exhibition is the Castle of Bouchout, situated in the National Botanic Garden in Meise.
Herman Asselberghs, Anne Daems, Building Transmissions & Douglas Park, Vincent Meessen, Hans Op De Beeck, Arno Roncada, Katrien Vermeire, Angelo Vermeulen, Dirk Zoete.
Curator: Prof. Dr. Hilde Van Gelder, Lieven Gevaert Research Centre for Photography and Visual Studies
Jan Cox (1919-1980) was born in The Hague and spent his youth in Amsterdam. Shortly before the Second World War he moved with his parents and brother, composer Harry Cox, to Antwerp and studied art history at Ghent University.
The exhibition catalogue Arbre(s)/Tree(s) was published on the occasion of the exhibition of the same name at the Félicien Rops Museum and the Maison de la Culture in Namur. The focus is on the tree in art, from ancient times to the present day.
Japanese floral artist Hiroto Inoue, whose delightful charm and witty nature earned him the nicknamed ‘Funny’ in the floral design universe, excels in creating intricate geometric designs and compositions that often seem to defy gravity. His floral creations pair an incredible sensitivity with impeccable technique and testify of his boundless love of nature as well as his inner gentleness. Hiroto Inoue constructs solid and firm backdrops for his flowers with the thinnest and humblest of materials: slender blades of grasses, orchid roots, slivers of bamboo, strips of wood veneer and especially paper. These fascinating, carefully constructed backgrounds are adorned with few or just one single flower. It results in innovative designs that perfectly balance manmade and natural materials, structure and spontaneity.
33 x 24,5 cm
96 p, hard cover
Bilingual edition: Japanese / English
Once upon a time… A castle. That’s about how the intriguing fairy tale created by British theatre company and artists’ collective WildWorks around Gaasbeek Castle and its most imaginative inhabitants begins. But is it really a fairy tale?
Pia Burrick’s work is not coquettish, but narrative. Stories and images that touch, move and sometimes disturb. It can be divided into applied and free work. Applied, made to order for the interior and to complement existing elements. Creations, mainly stained glass in the traditional technique but with a contemporary design and above all in harmony with the space.